Getting Married Today (song)

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"Getting Married Today" is a patter song from the musical Company (1970) with music and lyrics by Stephen Sondheim. It is sung by the manic Amy, as the thought of marriage sends her into a panic on the day of her wedding. It is often misreferred to as "Not Getting Married Today".

Video Getting Married Today (song)

Production

"Getting Married Today" was conceived as "Sondheim's psychotic notion of a patter song" to simulate the sensation of having a mental breakdown through verbal diarrhea and constantly changing the subject mid-sentence.

Stephen Sondheim gave a masterclass of some of his songs, including this one, at London's Guildhall School.

The song features operatic interludes described by Edge Boston as "soprano intermezzos", sung by a priest who comically comments on the bride's breakdown and extols the glory of marriage.

Maps Getting Married Today (song)

Lyrical content

In her meltdown, Amy discusses the very nature of a wedding, and how it is not relevant to a modern society:

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Covers

The song was covered in a Glee episode where Emma Pillsbury starts to second-guess marrying Will Schuester, before fleeing from the wedding.

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Critical reception

It has been described as "one of Sondheim's toughest songs". Journal Sentinel said the song captures "both the crazed humor and darker undertow within this manic bride". White Rhino Report wrote "Amy's frenetic rant about not being ready for marriage is a rapid-fire patter song. Set off against this insanity is the ironic counterpoint of Jenny's operatic aria about the beauty of a wedding day." Commenting on Stephen Sondheim's 'Company' With The New York Philharmonic, The AV Club wrote "it'd be hard for anyone to sing the patter-iffic 'Getting Married Today' as fast as it's meant to be, even with months to work on it instead of the short time that Finneran had." Chichester Observer said Amy is a "jittery bride-to-be" with an "epic breakdown and breakneck teeth-rattling delivery".

The Guardian wrote the show "boasts the most astonishing score of any Stephen Sondheim work, and at the same time a book demonstrating an almost complete lack of commitment to coherent narrative", adding that the show has a "large dollop of irony". It continued by saying: "The result is numbers, such as 'The Little Things You Do Together' and 'Getting Married Today', that are sheer bliss to listen to, but often unexpectedly disappointing and distancing in performance."

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References

Source of the article : Wikipedia